Shifting Sands (2016) - ca. 8'
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PROGRAM NOTE
Shifting Sands constantly wavers unpredictably between the distinctive strands of Western and Arabic music, seeking to fuse the evocative, other-worldly sound of the maqam (‘scale’ in Arabic) within a Western scheme and tonality. The structure of the work is influenced by tarab, the Arabic word for a continuous state of musical ecstasy. One of the main ideas of the piece involves an undying, repetitive pulse from the trumpet that sets up an uninterrupted framework for the passage of roving scalar runs that dance through the soundscape. In an abstract sense, that music is akin to the monolithic presence of the vast Arabian deserts as a backdrop for the hundreds of thousands of nomads that have traversed their ancient sands.
TECHNICAL REQUIREMENTS
2 loudspeakers, 1 high-quality microphone, Audio Interface, and Computer running MAX 6 or higher (free download available here) -- for questions regarding setup, please contact us.
Special thanks to Mari Kimura and Nathan Prillaman for the assistance on the electronics involved in this work.
Special thanks to Mari Kimura and Nathan Prillaman for the assistance on the electronics involved in this work.
Alan Wenger (trumpet) at the University of Central Missouri
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Ollie Haines (trumpet) at the Guildhall School of Music and Drama in London
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