ASCAP Plus Comments Template

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All my symphonic/recital and education performances from the 2019 calendar year have been reported to ASCAP through the "Performance Notification" portal. The following is a list of awards and honors from the 2019 calendar year: - Musica Canis Avem: Gibbons Prize Winner [Guitar Etudes] - The American Prize: Composition–ORCHESTRA, professional division Winner [Takht (version for full orchestra)] – National Band Association: Young Composer/Conductor Mentor Project Finalist [Manarah (orchestra and electronics)]. The following is a list of residencies that I participated in the 2019 calendar year: Young Concert Artists: Composer-in-Residence - The Brass Project: Composer-in-Residence. The following is a list of commissioners that I composed new works for in 2019: - Princeton Symphony Orchestra (Princeton, New Jersey) - Barlow Endowment (Provo, Utah) - New York City Ballet (New York, New York) - Young Concert Artists (New York, New York). The following is a list of residencies and festivals I have been accepted to, though declined in the 2019 calendar year due to scheduling conflicts: - Bowdoin Festival (Composition Fellow). The following is a list of performances that do not fall within the scope of symphonic/recital and education performances from the 2019 calendar year: - New York City Ballet Choreographic Institute’s live performances of “A Hummingbird Told Me” on March 7 and March 8, 2019 at the Samuel B. and David Rose Building in Lincoln Center (New York, New York). The following is a list of teaching activities in the 2019 calendar year: Instructor in Music Humanities at Columbia University in the City of New York (September-December 2019) - Teaching Assistant in Music Humanities at Columbia University in the City of New York (January-May 2019). The following is a list of conferences where I gave paper presentations from the 2019 calendar year: - University of Alberta Encounters Conference (“Connections in Wyschnegradsky’s Preludes”) - Rutgers University Musicological Society (“Connections in Wyschnegradsky’s Preludes”).