Saad Haddad is a composer of orchestral, chamber, vocal, and electroacoustic music who achieves a “remarkable fusion of idioms” (New York Times), most notably in his work exploring the disparate qualities inherent in Western art music and Middle Eastern musical tradition. His music delves into that relationship by transferring the performance techniques of traditional Arab instruments to Western symphonic instruments, while extending their capabilities through the advancement of technology.
Mr. Haddad’s orchestral works have been performed by the Minnesota Orchestra, Los Angeles Philharmonic, American Composers Orchestra, Illinois Philharmonic, Chicago Composers Orchestra, Kaleidoscope Chamber Orchestra, Symphony in C, Hangzhou Philharmonic, and the symphony orchestras of Albany, Columbus, Milwaukee, New Jersey, Princeton, and Sioux City. He has also received performances by the JACK Quartet, Callisto Quartet, Lydian String Quartet, Locrian Chamber Players, Society for New Music, and Utah Arts Festival, and his works have been performed abroad in China, Brazil, Britain, Germany, Italy, Austria, Sweden, and Canada.
Recent distinctions include the Charles Ives Fellowship from the American Academy of Arts and Letters, Barlow Endowment General Commission, S&R Foundation Washington Award Grand Prize, Jerome Fund for New Music grant from the American Composers Forum, Palmer Dixon Award from The Juilliard School, Aaron Copland Residency Award, and multiple awards from ASCAP, BMI, and the Vancouver Chamber Choir. He has been in residence at the Millay Colony for the Arts, Ucross Foundation, Bogliasco Foundation, Studios of Key West, Soundstreams Composer Workshop, Luzerne Music Center, and most recently as Young Concert Artists' 2019–2021 Composer-in-Residence.
Saad Haddad lives in New York, with his wife, and miniature dachshund. He currently serves as a Dean’s Fellow at Columbia University.